First up: Midwestern farmhouses. Photographed on work trips. Loathed for grayness and squareness. Translated to eschew both things.
A new layer on an old draft. This is the kind of painting for which I have a separate artist name, because that's a naked lady...
Another new layer on an old draft. This one's still driving me crazy. What's new.
And finally, the obligatory first attempt at a take-off on Charles Angrand's "The Good Samaritan." Inspired by a trip to the Phillips's amazing neo-Impressionism exhibit.
Looks like I also didn't bother posting the latest Boston skyline effort, a painting of a photograph of the Harbor Islands and city lights coming in from the air at night.