Well, that didn't work. The Duane Keiser model in which I exist as a new artist in Internet space without ties to my old markets and do no PR because the work carries itself. (Wait. That's not really the DK model. He networked. I largely refrained from going outside or talking to people. Details.)
That's ok. There is more wet stuff—here is the wet stuff—and as an artist, that's all I care about. Not even the production of the final product that I don't hate—not all, maybe any of these, are that—although that's nice. But the continual presence of wet paint, in one form another.
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